A final post about the glorious Tropenmuseum in Amsterdam! This time a technical apect of its permanent exhibition Afterlives of Slavery. Here the display technology resembles a bit the industrical metal grid in the Flesh exhibition currently on in Berlin. The difference is, here the grid is used as a platform for attaching all sorts of materials, not just hanging labels and pictures. Most creatively, the structure is used to best advantage by being paired with a flexible plastic sheet on which the texts are printed; the plastic is cut into strips that can be woven directly into the grid! At right you can see two varieties of this technique, an overall-basket-weave at the top and a just-the-corners tactic below. Allowing infinite combinations and configurations is a huge advantage for such a material. I can imagine it being trotted out time and again for all sorts of different exhibitions, a handy device in the museum's tool box.