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Watery Depths: Antikythera in the Basel Antikenmuseum

9/29/2015

Underwater exhibition concept for contents of an ancient shipwreck. Photo: by Karen N. Gerig via Tages Woche.

A beautiful display concept just surfaced (pun alert) in a new exhibition at the Basel Antikenmuseum, nicely photographed in this article. The exhibition focuses on a famous ancient shipwreck off the Greek island of Antikythera, and you can see how the exhibit design team incorporated the deep blue sea into the show: bluish light filtered into a watery pattern, objects set on beds of large white rocks, dim surrounds evoking the darkness of Davy Jones's locker. Although some of the most spectacular preserved evidence of ancient Greek art and science comes from this shipwreck, the display emphasizes that the focus here is not these star objects in isolation but the whole context of the wreck.

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Enhancing Trips to Museums via Interactive Photos

9/27/2015

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Visitors like to engage on their own (often humorous) terms. Photo: The Poke via Imgur.

A recent silly post on The Poke (tagline: "time well wasted") offers an unexpectedly valuable glimpse into the heads of museum visitors. Among other things, it shows that visitors may have the most fun in a museum by using the exhibits to their own humorous ends. It's not exactly "making fun" of the objects, but using them to generate a laugh—something that the hard-working staff responsible for the exhibits might see as disrespectful, but which I would like to suggest is instead a useful jumping-off point for reconceiving how to make engaging displays. For example, a few themes reappear several times in the Poke article: people like imitating statues and paintings to comedic effect, whether by pointing out a resemblance to themselves or by creating a new context for the object (e.g., a music video by Beyonce!). It's also entertaining to add a funny attribute to the object: a hand puppet on a statue's hand, a cell phone positioned as if a portrait is taking a selfie, a modern caption to an old painting.
It seems to me that all of these interactions with objects could be turned from "pranks" (as they are presented by the very format of the Poke article) into sanctioned museum activities that leverage these visitors' energy and creativity, particularly when it comes to picture-taking. For instance:

Objects Taking Selfies: Go through the museum with a friend and find the object that would make the funniest pretend-selfie. Use your friend's camera to take a photo of your object taking a selfie with your camera.
Funny Caption Contest
Mix and Match: Find an object in the museum that either matches or contrasts with what you're wearing. Take a picture that best shows off the pairing.
Family Portrait: Do you have a lookalike in the museum collections? Find an object you identify with and take a family portrait.
Reaction Shot: Artistic subjects interact with the viewer, and the viewer is not just a passive recipient: find an object that expects a reaction from you, and take a photo of yourself responding in your own unique way.

There could be prizes for the winners in each category and a way to display all the entries in the museum foyer, as well as on social media. This would be a great way to generate interest and publicity! It would also be a bold statement in favor of photos as interaction, which many visitors crave but which so far has flustered many museums (although not all).

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Showing the Unshowable: Humboldt Forum

9/12/2015

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Running across the article "Geheime Dinge" (page 46) this week was serendipitous because it aligns perfectly with the last post on how to display something too small to see. A similar display problem is facing the team behind the Humboldt Forum, a huge new cultural space being built in the center of Berlin. Among other things, the Ethnological Museum will move into this space—and has made this an opportunity to experiment with new, sometimes radical display ideas. Exhibiting objects from "non-European cultures" (the term used in all HuFo materials) is difficult to do tactfully, to say the least; and one of the most intriguing problems that has come up in this respect was addressed in an article from a promotional magazine put out by the Forum. The title and tag line say it all: "Secret Objects. How can you display objects that are so sacred, so secret, that the uninitiated are not even allowed to see them?" The sign in the case reads "Object removed for spiritual reasons."

One of the examples in the article, small inscribed stones from Australia that are considered sacred and "unshowable" in this way, was proposed for a display that included not the stones themselves but 3-D prints of them, along with authentic materials associated with how the stones were used (such as incense). This indeed follows the letter of the law by not showing the stones themselves—but is showing a perfect replica of them a respectful solution? Another proposal has the (real) objects in a case that is somehow clouded or shrouded, from which the veil is lifted for a few seconds every so many minutes to offer visitors a peek inside while still preserving the objects "unseen" for most of the time. This seems to me a dangerously titillating solution, encouraging a peeping-Tom voyeurism that would defeat any modicum of respect for the objects and their culture. It is an extremely difficult problem that the HuFo team is facing; I look forward, not without anxiety, to seeing their answer.

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Showcasing the "invisible": Micropia, Amsterdam

9/5/2015

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Glowing display of microbes in Micropia (photo: Ed Yong; source: NewYorker.com)

A recent New Yorker article raises an interesting question of display: How can you fill a whole museum with exhibits exclusively about something microscopic? This is the task of Amsterdam's Micropia, a museum devoted to "invisible life"—that is, microbes. Among Micropia's solutions to this challenge are (as reported by the New Yorker, although the author does not focus on the display challenge in particular):

an exhibit of the materials used by the first scientist to discover microbes
a video that zooms in on visitors and seamlessly continues into animations of microbes that would be found on their bodies
a row of microscopes (perhaps the most obvious solution to this display challenge!)
a "heart-shaped red platform, the Kiss-o-Meter, which told [a kissing couple] how many bacteria they had just exchanged" (its clever tag line: "Kissing is never just between the two of you")
and, perhaps my favorite of all, "a wall of backlit agar plates, some of them with mold or bacteria colonies that traced the contours of the places where they had first begun to grow: keys, phones, computer mice, remote controls, toothbrushes, doorknobs, a euro bill. There were orange dots of Klebsiella, blue mats of Enterococcus, and gray pencil shadings of Staphylococcus—contamination made beautiful."

This is a creative series of exhibits to solve the "scale problem" of showcasing microbes. I hope to see it in person some day!

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Watery Depths: Antikythera in the Basel Antikenmuseum

Enhancing Trips to Museums via Interactive Photos

Showing the Unshowable: Humboldt Forum

Showcasing the "invisible": Micropia, Amsterdam

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