In one section of this airy space is an exhibit highlighting artifacts found around the museum. Arranged on a transit map of the area (similar to this room of Berlin's Friedrichshain-Kreuzberg Museum), the objects each have a grab bar near them like those in a bus or tram—complete with the red STOP button! When you push the button, a voice from the speaker in the pedestal first announces the name of the transit stop and then tells you about the artifact found there. It's a playful and effective way to show the visitor that history really comes from the places she commutes every day. Announcing the name of the stop reinforces this, as well as the transit theme itself. And ask any five-year-old: who doesn't love pressing those buttons!?
The upper floor of Hamburg's Archaeological Museum doesn't plunge the visitor into an immersive landscape as the lower floor does (subject of the last post). Rather than turning windowless walls into a black cave, this floor uses walls of windows to leverage its position on a park and pedestrian walk, bringing inside the natural light and greenery.
In one section of this airy space is an exhibit highlighting artifacts found around the museum. Arranged on a transit map of the area (similar to this room of Berlin's Friedrichshain-Kreuzberg Museum), the objects each have a grab bar near them like those in a bus or tram—complete with the red STOP button! When you push the button, a voice from the speaker in the pedestal first announces the name of the transit stop and then tells you about the artifact found there. It's a playful and effective way to show the visitor that history really comes from the places she commutes every day. Announcing the name of the stop reinforces this, as well as the transit theme itself. And ask any five-year-old: who doesn't love pressing those buttons!? An astounding number of museums sprinkle the Berlin landscape. By the city's own count, there are over 170. While some of the museums on that list are extremely well-known and heavily frequented — foremost being the Pergamon Museum, with some 1 million visitors per year — many are small, quirky, and practically undiscovered. Neighborhood museums belong to this genre. Off the radar for most tourists, these museums focus on the history and culture of the immediate locality (Kiez); they must be a dream for school groups, and offer the curious visitor too an unusual glimpse of local life.
Of the 20 Kieze in Berlin, more than 11 have their own dedicated museum. One of these, the Friedrichshain-Kreuzberg Museum, occupies several refurbished stories of a building in the geographical center of the Kiez. The third floor (or fourth, in the American system) is entirely devoted to a beautiful big map of the area marked by easy-to-read landmarks and colorful numbered circles. The clean white walls, ceiling, floor, and pillars lend an airy feeling, and the room almost feels empty — until you step into it and use it for what it was intended. Borrowing a set of headphones and an iPod, the visitor is meant to walk around the map listening to local Berliners tell their stories linked to specific locales. The stories have been grouped into ten themes, each marked by a different color and labeled on the wall: from "work" and "eating" to "belief" and "suffering," the themes are both straightforward and richly textured. The visitor can opt to follow a certain color to hear stories related by theme, or select a path of stories all told by the same person, or wander the map at will choosing stories of any color or location. It is a marvelous trick of kinetic learning, made even more effective by gorgeous graphic design. That the stories are personal and told by inhabitants of the Kiez rather than actors, specialists, or museum staff makes them very compelling. In fact, the introductory panel invites visitors to make an appointment to record their own stories in the museum's audio studio! So as it turns out, this spacious white room is filled with only half of a display: the other half comes from the visitor bringing in her own exhibition content, her personal history. Local engagement couldn't get any more local and engaging. |
Ideas on Display
A humble space to reflect on concepts of museum display as enacted across a wide range of subjects, countries, and approaches.
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