For two more days, the Hamburger Bahnhof in Berlin is showing its critical exhibition Hello World. Divided into "chapters" which all have their own titles and are housed in different arms of the building, the exhibition as a whole addresses one question: What would a collection of contemporary art like the HB's look like if it weren't so Western-focused? Needless to say, particularly with the Humboldt Forum being built not far from here, this topic is urgent. Because I want this blog to continue focusing on design elements (for now, anyway), here I'll just point out a few sources for reading more about the immense debates that this show takes on.
The "chapter" formed around a part of the permanent collection (the Erich Marx Collection, above), titled The Human Rights of the Eye, features the works of Rauschenberg, Warhol, Twombly, and others that don't fit into the exhibition's diversity- and global-oriented themes. To frame them in the terms of Hello World, the curators invited the graphic arts duo cyan to intervene. The artists created collages beside the Marx Collection paintings, each collage reflecting visual aspects as well as content from the painting nearby in order to "trace the multilayered cultural interweavings" in the paintings. I did not feel that this was successful to the point of recasting the collection as "global;" nonetheless, I liked very much the dialogue between modern masterpieces and contemporary collages offering a cloud of associations. I can imagine this format—particularly the large shapes like speech bubbles emerging from the artworks—for all sorts of material relevant to the object, including the usual label information, relevant archival material, or even calendar listings for related events in the museum. Here of course the focus was rather on the collages as art themselves. Still, one collage included archival material in the form of a letter by Rauschenberg about his teacher Albers, which I found philosophically inspiring; see below.
Ideas on Display
A humble space to reflect on concepts of museum display as enacted across a wide range of subjects, countries, and approaches.