To balance the last post on diffuse lighting, in this post I want to revel in a gorgeous example of an unusually dark gallery lit with highly precise spotlights. In the Carnegie Museum of Natural History is a spectacular hall of minerals and gems. The shining glass cases, lighting, and black carpeting and walls all help make the objects appear precious, almost hallowed — they have an aura. Encased in glowing octagonal pods, they somehow even seem otherworldly. And while it's true that many of the specimens are themselves sparkly, impossibly pointy, or otherwise eye-catching, it's the display that really contributes to their inexorable pull. Talk about exhibition design amplifying the best qualities of a collection: you can hardly resist approaching the case for a better look at these, well, precious gems! Which leads to the question of keeping this glass free of nose- and fingerprints...
Ideas on Display
A humble space to reflect on concepts of museum display as enacted across a wide range of subjects, countries, and approaches.