The archaeological museum at Aidone, Sicily presents a juxtaposition of very old (6th century BC) and very new (2009) that is at once provocative and instructive. The decision to display the remains of two remarkable ancient Greek statues in a reconstruction by contemporary Sicilian fashion desigenr Marella Ferrera is symbolic, underscoring the equal value of (and even a unity of) Sicily's ancient and modern heritage. In Ferrera's concept, the marble heads, hands, and feet of the statues of goddesses Demeter and Kore/Persephone are affixed to metal wire armatures swathed in transparent rust-red cloth. (Some tweaking has been done over the years; an earlier version used a pale off-white cloth and included a stalk of grain in Kore's left hand. At the time of the first installation, Ferrera's human models were similarly swathed in her Winter 2009 collection.) The result is much more striking than the exhibit for the statues in Virginia, where they were housed until a repatriation claim in 2007 lead to the return of the statues in December 2009. What is more, Ferrera's "in-corporation" of the heads and extremities creatively recreates the original context of the statues: as acroliths, these statues had stone heads, hands, and feet, but their bodies were carved in in wood which no longer survives. Setting the remaining stone pieces back into bodies gives the viewer a proper sense of the powerful physical presence of the original statues—an important factor in their function as figures of worship.
Ideas on Display
A humble space to reflect on concepts of museum display as enacted across a wide range of subjects, countries, and approaches.